With passion and commitment to excellence in choral performance, we are proud to present the Pax Christi Chorale 2018–19 concert season. Joined by exceptional Canadian guest artists and the superb Toronto Mozart Players, Pax Christi Chorale continues to grow as an ensemble of high calibre and a cultural beacon in our city.
Appointment of New Executive Director
On behalf of the Pax Christi Chorale board and most importantly the selection committee, John Casey, Ron Knowles and Dermot Muir, I announce that Danielle McCandless has been appointed as our next Executive Director .
Danielle is well known by the choir by her exceptional work in her role as Choir Coordinator over the past year. Danielle has held management positions in other organizations, worked with other boards, had leadership roles in organizations undergoing significant role changes and she brings a wide network of peers, colleagues and friends from the artistic community.
Carol E Ringer – Pax Christi Chorale Board Chair
Pax Christi Chorale’s Fundraising Gala
Join us for a evening to celebrate Stephanie Martin’s new oratorio, The Sun, the Wind, and the Man with the Cloak which Pax Christi Chorale will be performing in our 2019–2020 season.
Saturday, May 4th, 2019, 6:30 pm
Havergal College, Event Hall
1451 Avenue Road, North York
The choir has steadily added to its oratorio repertoire, enriching Toronto choral music lovers with memorable performances and gaining a reputation as one of Canada’s finest oratorio choirs.
– Choral Canada
A packed house at Koerner Hall was treated to a rare and stirring performance of Edward Elgar’s oratorio The Kingdom. Here was the full glory of a grand old choral tradition, delivered with great polish and total conviction.
– John Terauds, Musical Toronto
The choir ... has grown more ambitious year after year, and the concerts – and the fundraisers – have increased in beauty and complexity.
– Joe Fiorito, Toronto Star
The performance I attended was a triumph. The work was quite rightly given without intermission and accordingly had real momentum. The combined effect of solo singers, choir and instrumentalists was entirely successful.
– Hans de Groot, The WholeNote